Today I was working on my piece for Influx Gallery's 'Fiat Lux' juried show and getting a matte finish was exactly what I needed for my piece. In fact I combined the matte finish with a 'sugar fire', the two enhance each other wonderfully. This is what I did...
- fire your first coat until fully fired and glossy
- sift on your second coat of enamel and fire until it just starts to melt (it is quite tricky to get the time right, if you take it out too soon the enamel will flake off, for our purposes it is better to go a little bit longer rather than underfire too much)
- the piece should look like its name - sugary but not orange peely
- you may want to practice on scrap metal first
- now submerge the piece in some Etchall glass etching liquid, usually takes 20 minutes or so, rinse well and dry
- any parts of the enamel that had gone past the sugar stage will now look beautifully matte
- of course you can use the Etchall on fully fired enamel too, to give a smooth matte finish
A great idea Anna. Thanks for sharing.
ReplyDeleteHi Studio Sylvia
ReplyDeleteThanks for commenting, it is so nice to know I'm talking to someone! I'll try and do more hands-on type posts. Let me know what you're interested in talking about.
I have a question. I have had difficulty overlaying transparent enamels over etchings, on copper. Have you had success with this procedure? I have used/not used flux and am not happy with either results.
ReplyDeleteHmm, to be honest I have not used transparents on copper. How are you cleaning the etched copper before enamelling? It may be that it is not completely clean in the etched areas. I 'heat clean' my pieces before enamelling, that is, I put them in the kiln for a minute. With copper I put it in until it just starts turning coloured, take it out, let it cool, then apply the enamel. If I think of anything else I'll let you know.
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